![]() ![]() “Nostalgia is a really powerful marketing tool,” she said. Ide attributed some of the film’s success to our predisposition towards nostalgia. That’s interesting because I like Finding Nemo – it’s a nice film – but I certainly don’t think it’s Pixar’s finest, so I’m surprised to see an adult fanbase so caught up in the sequel.” ![]() “Those adult percentages are quite unusual for an animation fanbase – the only other animation studio that would have that sort of crossover is Studio Ghibli in Japan. “I was surprised, absolutely,” said Observer film critic Wendy Ide. ![]() Those numbers have taken some in the industry by surprise. “ Finding Dory…did well in later show times when younger children are typically in bed $4m worth of business after 7pm on Friday and roughly the same amount after that time on Saturday,” Variety reported, adding that this was “double what Inside Out did in those opening weekend slots, and a signal that adults are nearly as eager to see Dory reconnect with her parents as kids are.” When the US trade magazine Variety crunched box office numbers for Finding Dory they discovered that adults made up 26% of the opening weekend audience, while teenagers accounted for 9% of ticket buyers. The answer may, in large part, be nostalgia. Removed Tts_version 4.So what’s the secret? Why has this sequel succeeded when others, such as the Johnny Depp-starring Alice Through The Looking Glass or the special effects-laden X-Men: Apocalypse, ignominiously flopped? OL20026983W Page_number_confidence 91.38 Pages 162 Ppi 300 Rcs_key 24143 Republisher_date 20200904090843 Republisher_operator Republisher_time 469 Scandate 20200828150948 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780736435734 Source Access-restricted-item true Addeddate 16:00:14 Associated-names Francis, Suzanne, adapter Boxid IA1919119 Camera USB PTP Class Camera Collection_set printdisabled External-identifier ![]()
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